And at this point I must also hoist a warning flag. The advantages of this new approach are evident and multiple, as detailed above. But there are dangers as well. With this exceptional case of production, it's easy for a beginning composer to write anything, hear it, and bask in the joy thereof. The initial thrill is a wonderful thing, but if one is not careful, it can short-circuit essential critical faculties and lead to believing a first draft is final.